Performance
Gladys Turner Bosso
Tendedero: Rituales de lo Cotidiano
2020
Continuo LatidoAmericano de Performance: Corpografías en Contexto
2022
New York Latin American Art Triennial — Clemente Soto Vélez Cultural & Educational Center, New York
Extendam
2012
Miami Performance International Festival
Miami Design District
2021
MAC Panamá
Panama City, Panama
Extendam Infini
2013
EXTRA! Festival Internacional de Performance
Escuela Nacional de Artes Plásticas
(Academia de San Carlos)
Mexico City
Human relationships are now interfered with by technology (ourselves): Extendam at the Miami Performance International Festival 2012 was a durational piece of intrapersonal search to find similar identities.
An exploration of our behavior and how we portray ourselves as objects and not as nature. The artist communicates with the audience that represented the world through artificial means that make us prisoners of ourselves.
Éclat Résumé (And Its Variations)
2013
LPM Live Performers Meeting
Centro Nacional de las Artes
Mexico City
Investigación Colectiva
Centro Cultural Los Del Patio
Panama City, Panama
Bohemio Fest Arte Emergente
Alianza Francesa Panamá
Panama City, Panama
Representation of interpersonal beauty perceived as a daily activity. The public will discover the connection between projection and matter, through a continuous interaction and a work of interpretation based on time, since the piece was in progress for months.
#TheRatOfArt
2013
Zones Contemporary Art Fair during Art Basel
Wynwood, Miami
An intense quest for identity, and for a not very real or surreal personality that breaks aesthetic standards internalized by the artist, trying never to discover what beauty really is. Destroying everything in sight with just expression.
The piece was born in the context of the artist in the midst of the vertical and artificial growth of Panama City, taking note of the form and construction of the artificial environment, the problems that other citizens faced in the challenges of the street and the great gap between the structures of wealth of their society.
The privileged refuge that the powerful had created was turning its back on the true city. Invading buildings facing the ocean and at the same time turning their backs on reality, expressing indifference.
The piece is a statement against the double public rebuke, which exhibits the artist's body symbolizing Panamanian society walking through a threshold of pain. Installation lasting 1.5 hours.
Double Up: Life Is A Fantasy By Nature And We Must Create Our Own Reality, Before We Lose Our Identity Believing What We’re Programmed To Believe
2012
Emergency by Word of Warning
Manchester
Video performance presented in the UK by Word of Warning. This piece filters out the insecurities involved in disguising what is right and wrong in our minds: it leaves both aside and places only reality in the spotlight.
What is society really showing us?
What do we really want to see?
Reality or fantasy?
Installation that exhibits a connection between human and Earth through universal light.
We are connected to our base in non-physical senses, in abstract links that can only reach our minds. The artist leans against a tree while images of the Earth seen from space are projected.
Installation of 1.5 hours duration.